'Mr Bennet’s Bride' takes a closer look at two greatly loved characters from Jane Austen’s 'Pride and Prejudice': Mr and Mrs Bennet, examining a time earlier in their lives, twenty five years before the novel is set (play setting: 1780s). It presents an account of how this ill matched couple met, and why they decided to marry – a decision at least one of them would repent for many long years afterwards!
Mr James Bennet is the only son of Robert Bennet, owner of the attractive estate Longbourn. James is in his late twenties, and has thus far resisted all pressure to marry a suitable girl, largely because he resents his father’s attitude towards him. James and his father have never been easy with each other because James’ mother died giving birth to him, a grief from which Robert has never recovered. His father Robert does not seek happiness for James, but rather wishes to expedite a match which will ensure some male heirs, and keep his dreadful cousin Benedict Collins out of the picture. Collins has recently fathered a baby son (Mr Collins of the novel), who will inherit if James does not provide an heir.
Robert, acting on the advice of his sister Mary, gives James a six month limit to become engaged to a suitable young woman. To demonstrate his determination, he has his lawyer draw up a contract to hold James to the deal, or throw him out of the house. The family lawyer, George Gardiner, sees an opportunity to throw his attractive, but extremely foolish and vulgar, youngest daughter in the way of the young landowner. When he presents his daughter Emily, James is immediately struck by her beauty, and also by the fact that she is not on his father’s list of suitable choices – making her more attractive in James’ eyes. He sets about wooing her in secret. He is initially taken in by her unmannered ways, seeing them as a signs of a spirited nature.
Benedict Collins comes to stay and ensure the way is still clear for his new son to eventually inherit. James chooses a provocative moment to drop the bombshell that he is engaged to Emily Gardiner, frustrating both Benedict’s desire for his son’s succession and Robert’s desire for a marriage into a suitable family. Robert is very angry with both James and George Gardiner for his deception. Benedict offers to advise James against marrying Emily Gardiner. Robert decides he would rather James marry anyone at all than have his estate passed to a Collins, so he throws Benedict out of the house and agrees to the marriage of Emily and James.
At a final meeting of the families, it becomes apparent that Emily is an entirely unsuitable match for James and that he has acted rashly. The play finishes on his realisation that he has bound himself for life to the wrong woman.
There is a smaller cast of 7-8 script available on Mr Bennet's Bride (smaller cast)
Principals 4m, 3f
- Robert Bennet - 55-60, Master of Longbourn. Thoughtful, responsible and determined.
- James Bennet - 28, Robert’s son and heir to Longbourn. Mischievous, intelligent and avoidant.
- Mary Ellingworth - 50-60, Robert’s sister. Decent, compassionate and considerate.
- Benedict Collins - 50-60, Robert’s cousin, possible heir to Longbourn by means of an entail. Bombastic, smug and avaricious.
- George Gardiner - 45-50, attorney-at-law. Clever, socially adept and ambitious.
- Sarah Gardiner - 40-45, his wife. Foolish, vivacious and excitable.
- Emily Gardiner - 17, their daughter. Outspoken, spirited and immodest. Strikingly attractive.
Support 3f
- Mrs Graves - 50-70, housekeeper to the Bennet family. Practical, good-humoured and loyal.
- Mrs Bowman: 40s, a moderately wealthy woman.
Exuberant and sociable. - Clara Bowman: 20, her daughter. Warm, sensitive and dignified. Physically unremarkable.
Doubling suggestions to allow for a minimum cast of seven are included in the script.
'This sophisticated and stylish production contains subtle shifts and nuance changes; from laugh out loud humour and satire to moments of genuine human frailty and awareness...Jane Austen aficionados and thespians in general will embrace this sophisticated and clever script. Maybe they should start screen printing the T-shirts now. Sydney Arts Guide, Newcastle Theatre Company production 2014
'The script is witty, charming and quite delightful whilst at the same time being loyal to the Jane Austen style. Particular praise must be given to Emma Wood for her clever and sophisticated script of which I’m sure even highly devoted Austenians would approve.' Ashley Hayward, Elementary Whatson, Priory Theatre production 2022
'Mr. Bennet’s Bride is that rarest of treats - a story of characters we thought we knew delivered alongside characters that are new to us, yet surprisingly recognizable... a delightfully Austentatious – that is to say rapturously elegant – experience.' Brad Rudy, Atlanta Theatre Buzz, Pumphouse Players production 2024
'Newcastle writer Emma Wood’s comedy about a young man forced to find a bride swiftly is a delight in this premiere production' Newcastle Herald 2014, Newcastle Theatre Company production 2014
'It is not every theatre company that is prepared to produce a new work by a relatively unknown playwright but Newcastle Theatre Company must be very pleased that they did so because Mr. Bennet’s Bride played to full houses for the entire season.' Jane Austen Society Australia Newsletter, Newcastle Theatre Company production 2014
'An ingenious look at Jane’s Austen’s characters. This very clever play is a prequel to Pride and Prejudice and this production captured perfectly the manners and tradition of the era...This reviewer could envisage some of these characters or their offspring 50 years thence in Pride and Prejudice.' Charles Essex, Warwickshire World, Priory Theatre production 2022
'You must see this one-of-a-kind telling of what came before the marvellous Miss Bennet and her Mr Darcy. Austen knew what she was doing when she created her characters with their petty personal dramas and Wood’s work is an honourable and true descendant of this great literary creation.' The Plus Ones, Malvern Theatre Company 2019
It is amazing to recognise the brilliance of Emma Wood in absorbing and then matching the brilliance of Jane Austen. I can imagine an e-talking book beginning with Mr Bennet’s Bride and naturally continuing with no apparent break with Pride and Prejudice. For another 200 years.' Canberra Critics Circle, Canberra Repertory Production 2023
'Austen is a hard act to follow (or to precede) but Emma Wood’s version of the Bennets’ wooing has an emotional and verbal accuracy about it that is highly convincing and very enjoyable.' Alanna Maclean, Canberra Critics Circle, Canberra Repertory Production 2023